The writing of these two stories, on my part, was in truth a protest against the "humanizing" of animals, of which it seemed to me several "animal writers" had been profoundly guilty.
Judge Scott is Weedon Scott's father. When Weeden Scott has to return to his home in the Southland Californiahe at first intends to leave White Fang behind.
Finally, another dogsled team traveling in the opposite direction rescues him. Citing an example from White Fang, Roosevelt referred to the fight between the bulldog and the wolfdog "the very sublimity of absurdity.
When the pack finally brings down a moose, the famine is ended; they eventually split up, and the story now follows a she-wolf and her mate, One Eye. In the morning, Bill discovers that he and Henry are left with only five dogs.
He is skeptical of Bill's theory that a wolf lurks among the sled dogs, but takes the disappearance of each dog in stride. The she-wolf gives birth to a litter of five cubs by the Mackenzie Riverand all but one die from hunger.
Tim Keenan is the owner of Cherokee. When Cherokee and White Fang fight, Keenan is somewhat of a passive onlooker, and is not resentful when Weedon Scott breaks up the fight between the two dogs. Major themes[ edit ] Critics have identified many underlying themes in the novel. He kills other dogs.
Through these measures, humans expect and demand obedience and respect… Nature v. President Theodore Rooseveltwho first spoke out against the "sham naturalists" inspecifically named London as one of the so-called "nature fakers".
Against this cold and desolate expanse, they are the only signs of life. Strangely, the next morning, there are only five dogs to be fed. He also encounters Lip-Lip whom he fights and kills before returning to the camp. He feeds White Fang and works him on the sledge during the day. When a famine occurs, he runs away into the woods and encounters his mother Kiche, only for her to chase him away for she has a new litter of cubs.
When Scott attempts to return to California alone, White Fang pursues him, and Scott decides to take the dog with him back home.
It is at this time that White Fang is separated from his mother who is sold off to another Indian Camp. As a result, they become suspicious, and finally they notice a she-wolf who comes to the camp at night and lures the dogs away.
He catches her again and White Fang, her pup, stays nearby. She is even less of a factor than her son and still gives White Fang some food when he returns to their camp. Spanker was the third dog eaten by the wolf pack. It is a time of famine, and they are low on food; also, they have little ammunition.
He was innocent of the crime he had been put in prison for. Yet early in his life, he learns how to snare food and along with this ability, he learns the lesson of the wilderness — that is, "eat or be eaten, kill or be killed.
White Fang grows to become a savage, callous, morose, solitary, and deadly fighter, "the enemy of his kind". As mentioned in the analysis of the first two sections, this part of White Fang seems more like a separate short story.
In the same line, he shows how love can overpower that, but then uses the story of Jim Hall to show how humans need to show that love to others as well as dogs.
The entire section is words. Shortly afterward, the she-wolf kills all the lynx's kittens to feed her cub, prompting the lynx to track her down, and a vicious fight breaks out. Jim Hall wanted revenge on Judge Scott, thinking he was part of the conspiracy.
They discover that they are being followed by a pack of wolves. I have been guilty of writing two animal—two books about dogs. Nurture In White Fang, London prods a question at the core of "environmental determinism"—does nature determine our course, or does our environment play a greater role.
This story gives the reader background both in the setting and the themes of the rest of the book. Kiche is White Fang's mother; she is known as the "she-wolf" at the beginning of the novel. He tries to steal White Fang back after Scott forcefully buys him, but White Fang brutally attacks him.
The wolf pack attacks and devours him when he attempts to assault them with his gun. White Fang nearly suffocates but is rescued when a rich, young gold hunter, Weedon Scott, stops the fight and forcefully buys White Fang from Beauty Smith. White Fang defeats all opponents pitted against him, including several wolves and a lynx, until a bulldog called Cherokee is brought in to fight him.
He is a wolfdog. One of the overriding themes in White Fang is the life-or-death struggle that man and animals face—not only in the wild, but also in civilization.
The idea of the survival of the fittest is introduced well before White Fang is even conceived. White Fang, written by Jack London, is a wonderful adventure novel that vividly depicts the life of a wolf by the name of White Fang. Throughout the course of the novel, White Fang goes through numerous learning experiences as he interacts with humans and other.
White Fang, however, escapes and sneaks aboard the ship. Scott, therefore, chooses to take the dog along. The novel ends by showing how White Fang learns to exist as a domesticated animal. Test your knowledge of White Fang with our quizzes and study questions, or go further with essays on the context and background and links to the best resources around the web.
White Fang is a novel written in by Jack London. It changes perspective from the point of view of humans to the point of view of wolves.
The plot centers on a wolf cub named White Fang and. White Fang: Novel Summary, Free Study Guides and book notes including comprehensive chapter analysis, complete summary analysis, author biography information, character profiles, theme analysis, metaphor analysis, and top ten quotes on classic literature.An analysis of the novel white fang