An analysis of the film american graffiti

The impossibility of living in the past is detailed by Curt's lonely trip through the empty school halls where he tries his old locker but can no longer get into it; that time has passed, and he can no longer experience his former high school days.

After all, compared to the impending buildup of American troops in Vietnam only a few years later, the United State's, involvement in other country's affairs was of no big concern to most-especially teenagers. Terry finds the car unlocked and the keys gone. He began writing a script, completing his first draft in just three weeks.

Laurie is cruising around the strip when she encounters Bob Falfa. Just having a vehicle to drive up and down the circuit increases his chances with the opposite sex.

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Back in the gymnasium, as the music picks back up, Steve and Laurie are now dancing intimately, when a teacher named Mr Kroot Mark Anger tells them to "break it up.

Most of those films certainly were a great achievement, but one thing that many Star Wars fans overlook is the other entries in Lucas' list of directorial credits; one of which is this film, American Graffiti. Back at the Canal, Terry stops necking with Debbie, when he realizes the music from the car has stopped.

Milner is bold enough to fight off the guys beating up on Terry, but he is not "stupid" like Falfa who runs the red light during their first encounter, and whose recklessness further echoed by the skull hanging from his rearview mirror will later result in the climactic accident.

Locating him was easy. Curt has some close calls, but eventually gets the cable hooked. Made in and set over one summer night in a small town in California inAmerican Graffiti depicts the adventures and misadventures of a group of teenagers on the brink of adulthood.

Some film scholars have identified cruising and particularly the car itself, in Graffiti as representing protection from a larger society.

In spite of subsequent borrowing and imitation of other movies and television shows, it even retains some of its original freshness because of the skill with which all the elements are executed and brought together.

The characters are all distinctive types and the film is set over just one night, where the revelations that the characters experience have a profound impact on how they view themselves and their place in the world.

Is Milner just spinning his wheels. Curt and Wendy then playfully bicker about telling of his future ambitions, and Curt invites her into the backseat to cuddle.

Terry explains that John was just nervous, and that he'll never be beaten. He may also be fearful of trying something of greater consequence at which he may not be the best. He had originally written the script so that the four Curt, Steve, John, and Toad storylines were always presented in the same sequence an "ABCD" plot structure.

American Graffiti (1973)

However, Terry begins talking in grandiose terms about his accomplishment and generally how 'cool' he is, and John is drawn back into his own powerful self-image.

The leader of the Pharoahs is impressed with how Curt handled the situation, and decides that he and his friends will consider making Curt one of them. Wolfman dedicates the next song to the blonde, and gives her the number of the phone booth at Burger City, encouraging the girl to call Curt.

A Man and His Car. Steve, Laurie and Curt have pulled up to a stop light, with a white '56 T-Bird next to them. Along with Easy RiderAmerican Graffiti was one of the first films to eschew a traditional film score and successfully rely instead on synchronizing a series of popular hit songs with individual scenes.

Steve arrives just in time to see the aftermath, and rushes to the wreck, to see Falfa emerge and Laurie beating and hitting him. Terry hightails it back to the Impala, and quickly gets out of there with Debbie.

Milner is killed by a drunk driver, Terry is reported missing in action in Vietnam, Steve becomes an insurance agent in Modesto, and Curt becomes a writer. Meanwhile, Steve separates from Terry and Debbie, and goes back to Burger City, while Terry and Debbie go off to report the car stolen.

Certain unifying themes emerge from this hodgepodge of segments such as the apprehension involved in the transition to adulthood and a longing for the simple, familiar past.

American Graffiti premiered August 2,at the Locarno International Film Festival in Switzerland, and was released August 11, in the United States. The film received widespread critical acclaim and was nominated for the Academy Award for Best turnonepoundintoonemillion.come date: August 2, (Locarno), August 11, (United States).

Jun 18,  · Check out Mike and Dustin's breakdown of the film and see whether they vote the film as one of cinema's great masterpieces or relegate it to museum piece status.

7 Scenes We Love From ‘American Graffiti’

Category Film & Animation. It’s kind of strange to think about how American Graffiti was set only 11 years before its release. We’re quickly nostalgic today, but that was a pretty quick turnaround for audiences to get.

Aug 11,  · American Graffiti is a wonderful film on many levels.

It is both funny and serious. A great direction by George Lucas and a fine cast with Ron Howard, Richard Dreyfuss, Cindy Williams, Paul LeMat, Charles Martin Smith, Candy Clark (Oscar-nominated), MacKenzie Phillips, Harrison Ford/10(K).

American Graffiti is a American coming-of-age comedy film directed and co-written by George Lucas starring Richard Dreyfuss, Ron Howard, Paul Le Mat, Ha. List of American Graffiti characters, including pictures when available.

7 Scenes We Love From ‘American Graffiti’

These characters from the movie American Graffiti are listed by their importance to the film, so leading roles can be found at the top of the list.

An analysis of the film american graffiti
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KIP'S AMERICAN GRAFFITI BLOG: Themes & Symbols Pt. 1